At the center of my artistic practice lies a fascination with geometry as a living structure rather than a rigid system. Geometry emerges in my work intuitively — not as an imposed order, but as a natural language through which space, movement, and meaning unfold.

I am drawn to shifts, tangents, vectors, circles, and intersecting planes — to those moments where space begins to vibrate and expand through geometric relationships. These structures generate a sense of movement and depth, creating fields in which perception is constantly reoriented. Geometry, in this sense, is not static; it is a dynamic framework that reveals the inner architecture of form while freeing it from material heaviness.

My compositions are built as systems in flux. Forms migrate from one work to another, subtly shifting their positions, relationships, and balance. This continuous displacement creates a fragile equilibrium — a state that appears stable yet could collapse at any moment. In the series Spheres of Impermanence, this tension becomes central: a precarious balance sustained by invisible forces, an almost absurd stability that nevertheless holds.

I understand my paintings as spaces of inner reflection rather than representations of the external world. They function as visual environments in which symbols, vectors, and color fields act as impulses — quiet invitations for the viewer to sense rhythm, movement, and resonance beyond the visible surface.

In a world defined by acceleration, informational overload, and constant instability, my work reflects a search for inner structure and orientation. The geometric framework becomes a metaphor for an internal support system — a way of maintaining balance within chaos. Rather than offering answers, my paintings open a space for inquiry, allowing viewers to engage with their own search for coherence, grounding, and meaning.

 

 

 

 

 

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