How form emerges from movement — a new series exploring nature, intuition, and inner transformation
Every new series in my artistic practice marks an inner shift — not only a change in visual language, but also a transformation in perception.
“Morphogenesis: The Shape of Becoming” grew out of a deep desire to explore how form arises from flow, how structure is born out of chaos — in nature, in the human mind, and in artistic creation.
The term morphogenesis comes from biology. It describes the process through which living beings develop their form.
For me, however, it is more than a scientific concept — it is a metaphor for inner becoming.
Our thoughts, emotions, and memories go through their own morphogenesis before they surface as actions, words, or — in my case — paintings.
How this theme found me
After years of working with symbolic and narrative compositions, I felt drawn to shift from telling to unfolding.
I became less interested in what I wanted to “say” and more fascinated by how form emerges through the act itself, and what it reveals on its own.
This direction led me to the intersection of three forces:
– Nature
– Science
– Spiritual intuition
This series is a visual dialogue with that triad.
How does nature shape life?
Where is the boundary between chaos and order?
What happens in that fragile moment of becoming — when something is not yet formed, but already in the process of coming into being?
The Process – Gesture, rhythm, emergence
The series began deliberately with acrylics.
Acrylic is alive for me — fast, breathing, immediate.
It leaves no room for hesitation.
The gesture must be true.
Its rhythm is musical, impulsive, almost breathless — as if the form itself is pushing toward visibility.
Each painting begins not with a concept, but with:
- a movement,
- a rhythm of color,
- a flow.
Within that flow, spirals appear — sometimes reminiscent of DNA, sometimes of waves or seed patterns.
Cracks, vibrations, and currents of motion emerge.
Occasionally, figurative hints surface, but only briefly — like echoes of something that has not yet fully chosen its shape.
Why it matters
What matters to me is leaving space — space for the viewer before meaning fully forms.
Before interpretation settles.
I want to invite the viewer to the threshold where creation and perception meet — the place where something is still becoming.
I am not searching for an answer.
I am searching for the shape of the question.
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